Oscar-Claude Monet (November 1840 –
5 December 1926) was a founder of French Impressionist painting, and the most
consistent and prolific practitioner of the movement's philosophy of expressing
one's perceptions before nature, especially as applied to plain-air landscape
painting. Masterful as a colourist and as a painter of light and atmosphere,
his later work often achieved a remarkable degree of abstraction, and this has
recommended him to subsequent generations of abstract painters.
Inspired in part by Edouard Manet,
Monet departed from the clear depiction of forms and linear perspective, which
were prescribed by the established art of the time, and experimented with loose
handling, bold colour, and strikingly unconventional compositions. The emphasis
in his pictures shifted from representing figures to depicting different
qualities of light and atmosphere in each scene.
Monet has long been one of my
favourite artists because of his use of colour and his application of the paint
in his paintings. In 2016 I was lucky enough to view Pink water lilies (1897-1899) in the Galleria Nazionale d'Arte
Moderna in Rome. The painting’s pastel pallet and soft brush strokes combined
with Monet’s subtle changes of colour create an outstanding piece of artwork. It
is of no surprise to me that the paintings in Monet’s Water Lillie series are
classes as masterpieces. His work is much more expressionistic than my own as in
my current work I am favouring a more stripped back clinical drawing style. Looking
at Monet’s work has influenced my decision to look more closely at the flower
itself and to create more detailed drawings focusing on the object instead of
the medium in which I am presenting it.
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